The majestic Grand Mosque of Abu Dhabi

Sheikh Zayed Grand Mosque‍ ‍

Mesmerised, I gazed around me as modern architectural marvels rose from the sands of Abu Dhabi. What stood before me was not just a city, but a symbol of transformation—one that had evolved from a modest Bedouin port to one of the wealthiest cities in the world.

Abu Dhabi in 1948

Once a small fishing and pearl-diving port on the Persian Gulf, Abu Dhabi thrived through the pearling industry, which attracted traders from India and Europe. Every year, Bedouins would leave their desert oases to join divers on the coast for the pearling season, which lasted from June to September. The waters were calm, and after rituals to protect the divers from sharks, the boats would disperse across the sea. However, by the late 1920s, the pearling industry suffered a blow. The arrival of Japanese cultured pearls, coupled with the Great Depression, devastated the local economy.

Pearl diving in the Persian Gulf

Yet, beneath the sea and the desert, a miracle lay in wait. In 1958, oil was discovered off the coast of Abu Dhabi, and two years later, in the desert. By 1962, the first cargo of crude oil was exported, marking the start of a new era. The surge in oil revenues enabled Sheikh Zayed bin Sultan Al Nahyan, the ruler of Abu Dhabi, to launch a large-scale construction programme, building schools, hospitals, homes, and roads to improve his people's lives.

The Aldar Headquarters Building is the first circular building of its kind in the Middle East.

The Louvre Abu Dhabi - Courtesy: Abdul Rahman/Gulf News

Today, Abu Dhabi is not only a hub of wealth but also a centre of architectural brilliance. The Sheikh Zayed Grand Mosque, one of the city's most iconic landmarks, attracts millions of visitors each year. Yet, an air of serenity envelops it, making it a peaceful sanctuary in the heart of the bustling capital.

Sheikh Zayed and his vision for the Mosque

The mosque was conceived by Sheikh Zayed himself, who envisioned it as both a symbol of faith and his final resting place. Following his death in 2004, he was buried in the mosque's courtyard. The mosque, designed by Syrian architect Yousef Abdelky, draws inspiration from Persian, Mughal, and Moorish styles, and was a collaboration of over 3,000 craftsmen from 38 global companies.

Construction began in 1994 and, after 12 years of meticulous work, was completed at an estimated cost of $545 million. It is the third-largest mosque in the world, capable of holding over 40,000 worshippers. Among its many records, it boasts the world’s largest hand-woven floral prayer carpet, the biggest chandelier, and the largest dome of its kind.

‍ ‍ The interior courtyard, adorned with the world’s largest marble mosaic.

The mosque's opulence lies not only in its grand scale but also in the exquisite details. Semi-precious stones like amethyst and jasper are embedded into intricate floral motifs. British artist Devin Dean, responsible for the mosque's floral designs, travelled to Italy to oversee the creation of the over 30 million marble pieces needed to craft the mosaics. His designs reflect the flowers of the Middle East, Northern Hemisphere, and Southern Hemisphere, depending on the mosque’s entrance.

One of the seven 24-carat gold-plated Swarovski chandeliers

Stepping inside the mosque, I was struck by a profound sense of tranquillity. The vast space, illuminated by seven 24-carat gold-plated Swarovski crystal chandeliers, exuded an ethereal beauty. I had arrived just as the sun was setting, and the white domes took on soft pink hues, gradually deepening as night fell. As darkness enveloped the structure, the mosque’s intricate lighting created an almost magical atmosphere, its brightness fluctuating with the phases of the moon.

Standing outside, I gazed upwards, filled with gratitude for the visionaries, architects, and artisans who had brought this masterpiece to life. Their dedication had gifted the world a true 21st-century marvel, one that would continue to inspire awe for generations to come.

Travel with my Books in English

Barbara Athanassiadis